One of the requirements was that Mozart must not attempt to uncover the identity of the person making the request. Intrigued by the rules surrounding the commission, Mozart obsessively threw himself into the piece and worked on almost nothing else for several months.
However, by this time, his health was deteriorating and he was unable to finish what he started. When the remarkable composer died aged 35 on December 5th, , he had only succeeded in completing the Requiem and Kyrie movements in full. He left basic sketches covering the voice parts and bass lines to be performed during the Dies Irae through to the Hostias, but the entire piece was nowhere near completed.
To encourage Mozart to complete the work, the messenger gave him half the fee before he began, with a promise to make the remaining payment after the work was delivered. She was struggling to make ends meet as it was and decided to ask other talented composers to finish what Mozart started in secret. Share this article. Search StringOvation. Connolly Music Home About us Shop our brands. StringOvation Latest articles Submit a guest post. Subscribe to StringOvation.
Northport, NY This book is also a must-read for anyone fortunate enough to be singing the piece. Going to the concert at Geffen Hall, I felt totally prepared. Reading the notes, I smiled, feeling exceedingly full of myself as I mentally corrected the program.
This season, the Chorale had given me many nights of joy — concerts of Gershwin, Beethoven, Handel — but this Requiem was their triumph. Their passion, their precision, their sheer exuberance overwhelmed the audience, and credit must be given to their new conductor, Everett McCorvey, who in two short years has transformed the Chorale into the greatest choir in New York City.
McCorvey has proven himself to be the most talented, sensitive, expressive, and commanding of all the choral conductors in a city of sensational conductors. Starting with the very opening, the Requiem Aeternam the only movement completely written by the master , the glorious singing of the choir eradicated the gruesome acoustics of the happily soon-to-be knocked down auditorium, transforming the dry Geffen into Carnegie Hall.
The music floated in the air, reverberating, inviting the entire audience into rapture. I knew both mezzo Blythe Gaissertt and bass Kenneth Overton to be consummate artists. But it was all too much. He was only able to complete the Requiem and Kyrie movements, and managed to sketch the voice parts and bass lines for the Dies irae through to the Hostias.
Mozart died aged 35 on 5 December , before he could complete the work. Almost certainly not.
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